I’m sure in recent weeks the pun on Hozier’s song and AMC’s new show Preacher has been made more than a few times, but I couldn’t resist the urge. There’s something about the slow, steady rhythm and blasphemous nature of ‘Take Me to Church’ that fits right in line with the attitude and delivery of Preacher.
That delivery is amazing so far. I’ve enjoyed the show so much that I’m having hard time finding a place to start talking about it. The episodes are tense, character-driven, cinematic beauties with a dark humor and a flair for violence. What could wind up being ridiculously unbelievable characters are acted (and directed and written) with just enough down-to-Earthness to make the ludicrous things that happen sympathetic. Cassidy is just a fun loving guy (well, vampire) that just happens to wind up in these terribly bloody fights. Tulip is smart, clever, and completely capable of getting whatever she wants in a scene (respect, a map, surviving) except for Jesse. And Jesse wants a quiet no-hassle life but people won’t stop pushing for him to do his new job and he feels compelled to protect innocents.
I’ve only seen the first three episodes so far, but there’s some great dynamics happening with the main three characters and the other lead supporting cast. The relationship between Tulip and Jesse is the hardest to figure out so far, but that’s half the point of the presentation. The audience meets Tulip in the middle of a fight, who then goes on to prepare for the next wave of attack, protect a couple of kids by getting them out of harm’s way before the fight even starts, and then she’s off. While she gives a small speech about love during all of this, she never brings up Jesse’s name or any details about this ex of her. That part becomes clear later on. Without this early scene, she’d likely come off as the psych-exgirlfriend. She still does in some of her scenes with Jesse, but bits and pieces of their past are coming to light through the show and it’s obvious that something deeply traumatic and wrong happened–something that pushed Jesse away from their old lives and made Tulip cling to it and her mental image of Jesse even harder. There’s unfinished business and Tulip seems to need Jesse to complete, not because she needs her man, but because he was there when the business started. All parties need to be there to see it through–including Jesse if she has to drag him back kicking and screaming (which she just might at this point…) So, really, the greatest part of Tulip and Jesse’s relationship is the fact that it pulls double duty as a plot.
One of the other fantastic aspects of the show is the sets and cinematography. Like other AMC shows (Walking Dead and Hell on Wheels come to mind), Preacher‘s not afraid to use longer, wider shots. Instead of bouncing from face to face, as most shows do during conversations, Jesse and Cassidy lounge on pews, furniture, whatever’s handy. The show loves to feature the long, dusty road up to church. You get to see Jesse’s truck sitting in the background when he goes into a place. Basically, there’s a strong sense of world in this show that helps envelop you in its reality.
I’m really liking this show so far and hopefully we’ll get many more seasons of Preacher (and hopefully it doesn’t eventually disappoint like some things). Definitely go check out the first few episodes on amc.com or double check your On Demand for access.